indirect discourse

英 [ˌɪndəˈrekt ˈdɪskɔːs]

美 [ˌɪndəˈrekt ˈdɪskɔːrs]

n.  同 indirect speech; 间接引语

柯林斯词典

• 同 indirect speech
  Indirect discourseis the same asindirect speech.

双语例句

• Indirect speech acts given by Searle enriches speech act theory, thus the study of language rises to the level of discourse study and it's found that discourse and reality are constructed by language.
  舍尔提出间接言语行为的概念丰富了言语行为理论，把语言研究上升到语篇研究，发现语篇与现实是语言构建出来的。
• The analyses and explorations confirm our assumption that in the Chinese culture the indirect style of interaction and discourse organization is largely preferred while in the American culture the direct style of interaction and discourse organization is largely preferred.
  本文的分析和探讨证实了我们的假设：中国文化中的交际与语篇组织结构对间接式风格更为侧重，而美国文化中的交际与语篇组织结构对直接式风格更为侧重。
• The alignment of the three factors not only reveals Dual Voice to be a general narrative feature of the book but warrants the extensive application of Free Indirect Discourse.
  这三个因素的相互策应在表明双声游戏是小说的整体叙事特征的同时，也构成自由间接引语广泛应用的前提。
• Free indirect discourse is constructed by the substitution of those subjects, and the rules of substitution coincide with general grammar.
  自由间接引语即由潜在的多个主体之间的代换而构成，而且代换规则与一般语法规则一致。
• The application of Free Indirect Discourse has well silhouetted the progressing and direction of such an evolution.
  自由间接引语在书中的应用则很好地呼应了惠特曼艺术成长之路的铺开和方向。
• Chapter Three mainly concentrates on the presentations of speech-free direct discourse, free indirect discourse and multiple discourses.
  第三章重点分析了小说集中的人物话语表达方式：自由直接引语、自由间接引语和多种话语方式的混合。
• Free Indirect Discourse and Narrative Voice
  自由间接话语与叙事声音
• As a way of speech or thought presentation in English novels, free indirect discourse has been explored by many linguists and writers and critics from different aspects.
  伍尔夫在其小说中运用了大量的自由间接话语这一叙事技巧，很好地体现了其文本的性别政治主张。
• In free indirect speeches, discourse connectives perform similar cohesive functions by sustaining or transferring narrative point of view.
  在自由间接引语语体中，话语联系语通过维持和转换叙事视角发挥类似作用。
• He creatively inserts symbolism into the post-apartheid South Africa theme in Disgrace. And the ambiguity and indeterminancy created by the internal focalization and the use of free indirect discourse make the novel endowed with characteristics of postmodernism.
  他创造性地将象征主义融入到《耻》的南非后种族隔离主题中，另外，内聚焦和自由间接引语的使用带来的模糊性与不确定性效果使小说具有后现代主义的特征。